Thursday, December 11, 2008

Happy Christmas

A one-subject post today since I’m busy, you’re busy, we had a fairly one-subject class and you’re probably not even reading this.

We discussed critical (literature) essays and I tried to impress on you the idea that you must:

* Answer the question (both bits – there are usually two parts)
* Bear in mind that the whole point of the essay is to show HOW the writer has written the text
* Show that you’re doing this by using terms that describe techniques (theme etc)
* Write as fluently and correctly as possible.

Most of what we call “questions” don’t actually have a question in them at all. They’re really arguments – you’re arguing that the author has indeed done what’s mentioned in the description, and showing how he/she has done it.

The “questions” will be in the form:

Description of text: “Choose a novel which is influenced by the presence of a powerful or overbearing character.”
Instruction: “Show how the writer creates the impression of this character and discuss to what extent you felt you could sympathise with him/her.”

And at the top of each section of the exam you’ll also find a little box reminding you to write about the literary techniques.

So you might like to think of the question as if it said:

“Show how (ie by his/her use of theme, language, setting, characterisation) the writer creates the impression of this character and discuss to what extent you felt (through his/her use of theme, characterisation, structure) you could sympathise with him/her.”

You don’t need to discuss all the techniques. You do need to discuss some. But there’s no point in just regurgitating the notes. You need to discuss literary techniques only as far as they’re relevant to the particular argument of the essay.

You can assume that the marker will have read the text, but – as far as the exam is concerned – may have a hazy memory of it, so do tell little bits of the story to make points about them. Don’t tell bits of the story merely to fill up the page.

You MUST quote to back up some of your points. In a exam, five quotes would be the minimum for novels and plays – lots of quotes needed for poems. Using direct evidence (ie things that happen or a paraphrase of what people say) is good too.




While answering these “questions”, it’s useful to keep a little formula in mind and to follow it – not necessarily slavishly and not necessarily in this order, but as a possible approach if you feel yourself waffling off the topic – as is so easy to do:

SECT – this means

Statement – say something about the text
Evidence – give evidence from the text to back up what you say
Comment – say a bit more about your evidence if necessary
Technique – try to link this to a literary technique.

Eg

S. Anne Tyler shows us that Barnaby is unsure about his trustworthiness.
E On the very first page, he mentions that his customers see him as “a man you can trust”, while he himself is not so sure.
C This shows the lack of self esteem which troubles him throughout the novel
T and introduces the theme of trust, which is a central issue.

Certainly a lot of unsupported statements will not gain very many marks.

I then showed you a sample essay on “A Patchwork Planet” and asked you to write in class (how cruel! in the last class before Christmas!) the following essay:

Choose a novel in which a central character’s experiences lead to a deeper understanding not only of others but also of himself or herself.

Discuss the ways in which the character is made to attain self-knowledge and a better understanding of other people.



There’s no homework other than to do this essay if you weren’t there, to redo it if you feel you want to and to raise a glass to the SQA on January 1. Think about Barnaby and his year of change…

If you want the SECT handout, the “PP” notes or the sample essay, please email me: pdonaldson@stevenson.ac.uk

See you on January 6, clutching in your hands a copy of Miller’s “A View from the Bridge” and your past papers. Santa will provide, I trust. Hope he brings you lots of other good things too.

The four ages of Santa
1. You believe in Santa
2. You don’t believe in Santa
3. You are Santa.
4. You look like Santa.

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