Paste this up on the ceiling above your bed, write it in plastic letters on the fridge and if necessary tattoo it on the back of your writing hand. (You may do this metaphorically if you prefer.)
Waffling is out. It’s a myth that this is what English teachers want their students to do. Analysing is in, giving evidence from the text to justify what you say.
This goes both for the language and for the literature parts of the exam (and for the assessments, apart from the expressive essay). You’ve got to show HOW the writers do what they’re doing: HOW they show character, make their writing emotive, structure their novel/play/poem and so on.
This week we looked at argumentative essays and particularly at their structure. Fairly obviously, you should move logically from one stage in your argument to the next, sometimes using linking words and phrases such as “similarly… furthermore…. however….” to show the connection between one paragraph and the next. Your homework is to write an argumentative essay, which by SQA definition shows both sides of an argument in a fairly balanced way.
This goes both for the language and for the literature parts of the exam (and for the assessments, apart from the expressive essay). You’ve got to show HOW the writers do what they’re doing: HOW they show character, make their writing emotive, structure their novel/play/poem and so on.
This week we looked at argumentative essays and particularly at their structure. Fairly obviously, you should move logically from one stage in your argument to the next, sometimes using linking words and phrases such as “similarly… furthermore…. however….” to show the connection between one paragraph and the next. Your homework is to write an argumentative essay, which by SQA definition shows both sides of an argument in a fairly balanced way.
At the beginning of chapter 9 of "A Patchwork Planet" there's an abrupt turning point in Barnaby's fortunes when Sophia's aunt accuses him of theft.He's terrified when a policeman comes to interview him - he presumably thinks that his past record may count against him.We noticed his childish reactions to this unfair accusation. (What are they?)
However, Martine persuades him to come out to work and tells him her plan that he should sell the Corvette and buy Everett's truck with her.
And then, apparently to Barnaby's surprise, they start kissing and end up in bed together.
Afterwards, Barnaby remembers an occasion when he was married to Natalie and she was angry at him for being late home when - for once - it wasn't his fault. His attitude then was, "If you think I'm such a villain, just watch: I'll act worse than you ever dreamed of." (What is the relevance to his current situation?)
The chapter ends wonderfully well, with Mrs Dibble telling him that all his clients support him and that she wants him to buy the business from her when she retires. He then contacts Sophia to apologise for... not returning her calls. At the end of the chapter, rather like at the end of the previous one, he feels that "I really might have moved on in my life". So this turning point in the structure seems to have been reversed and he's on course again.
In a big rush as usual at the end, we looked at the rest of the first “Paranoid Parenting” Close Reading and will tackle the remaining questions next week in class.
Do look at this website, which has an interview with Anne Tyler about "A Patchwork Planet": http://www.bookbrowse.com/author_interviews/full/index.cfm?author_number=313
(Sorry that some of these paragraphs have no space between them. I can't persuade these spaces to occur. Please imagine them.)
No comments:
Post a Comment